Well, here we are again, months between entries. But that's okay. This is something I do for shits and giggles, I'm not graded on it, I'm not paid to do it. Everything is always easier when you do it because you want to do it, not because you have to, not because you're expected to. But just because.
Occasionally something in my life will happen, be it political, social, cultural, artistic, that will give me something to say. Let me get this right off the bat before I get into the reason for this dispatch from CapCity
A) Tragedy struck the DC area today, as two trains collided on the metro near Fort Totten and Takoma Park. Six people are dead, and MANY more are injured, and my heart goes out to the families of those who've lost loved ones. As far as I know, nobody that I knew was involved; time will tell. Reminds me that, hey, bad things happen and we can't let ourselves forget that things can change in a second
B) Iran, the 800 pound gorilla in the room. It is a terrible thing to read every day that more die in street clashes because of a contested election. I want to hope that a revolution happens in Iran, that will bring the country into real democracy. However, this democracy can not come from the west. What changes happen in the country must come from within; One must remember that it was the United States who installed the Shah on what was a thriving democracy in the 1950s. It was this meddling that resulted in the reactionary Islamic Revolution and the subsequent hostage crisis. Humanitarian aid would be fine should the need arise; nothing more.
Anyway, enough of my current events opining and the time has come for me to discuss something that I have more than merely cursory knowledge of, and that is music.
Every now and then I get the cockamamie idea to listen to something that was, at one time in my life, highly influential, that I tend to have shifted away from in the ensuing years. Occasionally it holds up, occasionally it's difficult to listen to, but I never regret those albums, as they all had an effect on how I would hear music and think about music.
However, occasionally there is an album from the past that I will hear again, and realize how incredibly well it holds up. Today was one of those occasions, and that album is the 2002 Roadrunner Records debut from Massachusets-based metal/hardcore band Killswitch Engage, entitled Alive or Just Breathing. At the time this record was released, they were part of a scene that was only starting to rear its head in the American music scene, before America finally started producing quality metal bands again. Before then, the only good metal bands were European, or at least as far as I was concerned. Then I heard some music from their first album and thought KsE were Swedish.
Then came this record. I kind of expected a much more Swedish death metal sound, and was surprised when I heard riffs that were much closer to sounding a bit like hardcore bands like Hatebreed or Madball, but still had strong metal roots. This was before it became standard to combine tough-guy hardcore breakdowns and attitudes with metal riffage.
What really stuck out to me about Alive was how melodic and positive and spiritual it is. I mention the band Hatebreed; while a lot of their lyrics have a positive message hidden under lyrical bile, Killswitch's lyrics are so clearly born of a love, passion, and spiritual connection to the human race.
Original vocalist Jesse David Leach had something special that was at its best on this album, which proved to be his last with the band, as throat issues and family commitments forced him off the road. He was capable of blood-curdling shrieks, hell-hound growls, and one of the most wrenchingly beautiful singing voices ever heard in metal or hardcore. He combined all of these elements in such a way that takes this band and album far beyond anything released since, just in terms of emotional depth.
The musicianship is also astounding. From a guitarist's perspective, this album has some insanely muscular riffing that is equally galloping and stomping, savage and sweepingly melodic. This band also uses dynamics astoundingly well, opening three songs with gently strummed acoustic passages before letting loose with brutal modern riffs.
Often times, the guitars, bass and drums lock in on unison grooves that echo, to a certain extent, the machine-like precision of Fear Factory.
Now I would like to discuss one of the best-recorded heavy metal guitar tones of all time. Joel Stroetzl and Adam Dutkiewicz manage to have this GUT BUSTING guitar tone that does not fuzz out, it's not scooped out like lots of other metal bands, and it is so tight and articulate that even the fastest, lowest notes are distinguishable.
The rhythm section is also fantastic. Dutkiewicz, who I believe played most drums on the record, hits the double bass drums as well as the best death metal skinsman, and they propel the tracks into high gear.
Every song on this record is a keeper, full of chunky riffs, uplifting lyrics, and killer grooves and breakdowns. Somehow, they managed to find the perfect combination of horn-throwing metal and soul-clutching emotional hardcore. Tracks like "Numbered Days," "My Last Serenade," "Just Barely Breathing" and "Temple from Within" feel like life-affirming self-sacrifice, followed by being purified in crystal waters. It shreds the sould into sinewy strands before the ultimate healing.
The best song, by far, on the album, "The Element of One," is the culmination of everything great about this band. It begins with a gentle acoustic passage, that gives way into a hammering rhythmic chug, with a melodic yet savage lead guitar pattern, before a Tyranasaurus-sized riff and a harrowing growl from Leach gets the song going at maximum power. Meanwhile, Leach's lyrics proclaim his desire to see someone (supposedly his wife), and proclaiming his love for this entity. "This is for you," he shouts during the bridge, "Everything I am/This is for you/take it from me." Then, the band soars during the chorus as he commands, "Breathe me in, I'm forever, breathe me in, I'm eternal." Equally heart-rending and beautiful.
After a gorgeously whispered bridge behind an understated acoustic guitar pattern, a throat-shredding scream gives way to a palm-muted guitar melody that comes the closest to a guitar solo on this album that serves as the perfect crescendo to an amazing song, before an excellent bridge section that has the band channeling classic epic metal gallops of old. The song finally ends with a lone bass figure, and it would be no surprise if listeners were drenched in sweat after hearing this in their homes or their cars.
The album goes on after that, and the rest of the songs sound great. But this, in my opinion, was the song that made the album as influential on me and Dave as it was, and this was the song on the album that he and I listened to EVERY DAY as we went through Hardcore Puberty.
Needless to say, I think this album holds up incredibly well. Every song still gets me the way they did when I bought the album back in 2003, and this album stands up far beyond any of those other hardcore and "metalcore" records that I bought then and since. I feel it is safe to say that this record will always hold a place on my playlist, and may actually hold a place in my Desert Island Discs collection.
For fans of heavy, passionate and melodic metal/hardcore, this is the album that can not be beat and must be listened to.
Monday, June 22, 2009
Wednesday, April 15, 2009
Federal TeaBagging
Yes, the title is crude. But anyway, that's besides the point.
I watched the news today and read the news and saw that lots of people unhappy with American tax policy were throwing Tea Parties across the country in protest.
I'm all for organized protest in showing discontent for screwed up federal policies. First of all, the tea parties during the 1700s were in protest of Taxation without REPRESENTATION. Last I checked, the only place in the country that is taxed without representation is Washington DC, a part of the country that has consistently vied for active representation in Congress, and has typically been shut down by the Republicans in the government.
The irony of this is that the tea parties were overwhelmingly a Republican and conservative action.
The main issue, as far as I can glean, surrounding said parties has been the bailouts of various financial institutions (and the auto industry) using taxpayer dollars. I understand that these institutions have dropped the ball regarding the money of the public and in that sense I am behind these protests. However, the initial bailouts were authorized by the greatest Reagan wannabe of all time, Mr. W. But that's not important. What is is that taxes are necessary. I have no problem paying taxes as long as they will benefit me and the people in the long run. I don't agree with my tax dollars paying for senseless wars, but I have yet to take the appropriate actions to make sure my money doesn't go towards military spending. Moving on...
Without taxes there's no money for education or roads or other worthwhile things. But, moving back towards the bailouts...
Federal funding for corporations bothers me a great deal, especially taxpayer dollars for corporations. But, at the same time, there needs to be accountability on the part of these institutions like AIG, Goldman Sachs, GM etc. GM needs to start making quality cars that are fuel efficient and actually work. If they did that they wouldn't need the bailouts. And, while the people who took bad loans for homes they could not afford share the blame, these ridiculous loans and mortgages should not have been offered from a moral standpoint. It was a clear example of exploitation. In addition, there needed to be stronger government oversight and regulation, and my hope is that the government support of these institutions will result in stronger regulation and avoid collapses like this in the future.
Yes, I'm a socialist from a practical standpoint. But I believe that in this day in age regulation is required in order to stem this profiteering bloodsucking that has plunged us into economic collapse.
Scattered, yes, but I'd like to think that my opinion and a buck fifty can get you a cup of coffee, whatever that means.
Happy tax day everyone in internetland!
I watched the news today and read the news and saw that lots of people unhappy with American tax policy were throwing Tea Parties across the country in protest.
I'm all for organized protest in showing discontent for screwed up federal policies. First of all, the tea parties during the 1700s were in protest of Taxation without REPRESENTATION. Last I checked, the only place in the country that is taxed without representation is Washington DC, a part of the country that has consistently vied for active representation in Congress, and has typically been shut down by the Republicans in the government.
The irony of this is that the tea parties were overwhelmingly a Republican and conservative action.
The main issue, as far as I can glean, surrounding said parties has been the bailouts of various financial institutions (and the auto industry) using taxpayer dollars. I understand that these institutions have dropped the ball regarding the money of the public and in that sense I am behind these protests. However, the initial bailouts were authorized by the greatest Reagan wannabe of all time, Mr. W. But that's not important. What is is that taxes are necessary. I have no problem paying taxes as long as they will benefit me and the people in the long run. I don't agree with my tax dollars paying for senseless wars, but I have yet to take the appropriate actions to make sure my money doesn't go towards military spending. Moving on...
Without taxes there's no money for education or roads or other worthwhile things. But, moving back towards the bailouts...
Federal funding for corporations bothers me a great deal, especially taxpayer dollars for corporations. But, at the same time, there needs to be accountability on the part of these institutions like AIG, Goldman Sachs, GM etc. GM needs to start making quality cars that are fuel efficient and actually work. If they did that they wouldn't need the bailouts. And, while the people who took bad loans for homes they could not afford share the blame, these ridiculous loans and mortgages should not have been offered from a moral standpoint. It was a clear example of exploitation. In addition, there needed to be stronger government oversight and regulation, and my hope is that the government support of these institutions will result in stronger regulation and avoid collapses like this in the future.
Yes, I'm a socialist from a practical standpoint. But I believe that in this day in age regulation is required in order to stem this profiteering bloodsucking that has plunged us into economic collapse.
Scattered, yes, but I'd like to think that my opinion and a buck fifty can get you a cup of coffee, whatever that means.
Happy tax day everyone in internetland!
Saturday, April 11, 2009
New Posting!!!!
So as all of you know by now I'm back in the US from my journey. I'm living in DC and looking for real work living with friends. Right now I have a job at Philadelphia Water Ice Factory, which sucks, but it allows me to make some money while I live rent-free with my friends. It's an easy job, even though my boss is an ass.
Anyway, this is a posting about my life, about music, about my life as a fan of punk rock music. It was inspired by two things. Number one was seeing a band play at the Red and the Black tonight, the other was watching the DVD of Instrument, the Fugazi documentary.
Seeing the show was a nice, unexpected event tonight. I was working and I sold some ice to a few dudes, one of which complimented my Social Distortion t-shirt. I decided to talk to them, and I saw a bunch of people moving music equipment into the bar a few doors down. Turns out the guys who bought my ice are a band from Boston called the Main Drag, and they were playing at the Red and the Black. They were cool and they put me on the guestlist for the show because they had no one to put on it. We talked about music and whatnot, and I told them I'd check out the show.
So, after my shift I went back to the house, showered and ate, and I went over to the show. They were really good, loud indie rock that actually managed to rock, which is a rarity in the genre these days. I talked to them after the show, all cool guys and whatnot and I came back here.
Then I watched the Fugazi DVD and it was just really inspiring that these four guys in Fugazi have managed to have a career spanning fifteen years, a great deal of influence, a fantastic ethic within their work, and more importantly, an incredible musical legacy.
My point is, I'm a musican and a music fan, and those two things will always define me more than where I am or what my job is or how I vote or my beliefs about religion or politics or anything. But I ask myself a lot of questions regarding my musical taste.
I've been a fan of punk music, I suppose, since I first heard the word and started hearing bands like Nirvana and Green Day. The years went by since those discoveries and I got into a little bit of everything, music-wise, and I started to discover the most important bands in punk rock, from the Clash's London Calling record to my recent days as a vinyl snob, listening to the New Day Rising LP by the great Husker Du. I've been listening to music like this since I was around 8 years old and I'm now 23.
I've noticed something about a lot of people who spent a great deal of time listening to punk rock. A lot of them start to move away from that style of music and start listening to indie rock or indie pop or post rock or something that just sounds pretentious and sounds like they're thinking way too hard about what they're doing. I'm friends with lots of people who were into punk rock but have moved on to Radiohead. And while most people here would say "Nothing against Radiohead but..." I'm going to go right ahead and say that I don't give half a flying shit about Thom Yorke or his crew of douchebags. That music bores me.
Having gone to a prestigious institution of higher learning filled with hyperintelligent people who listen to this seemingly hyperintelligent independent music I feel like I'm supposed to feel inferior for liking something as "base" or "simple" as punk rock, that the music is in some way the music of 16-year-old kids living in the suburbs and they can't possibly be mature or smart enough to understand the deeper meaning behind Sufjan Stevens' compositions. What, because I went to college I automatically have to start listening to some boring overthought crap? Or because I listen to punk rock I am not a thinking, intelligent person? Piss off, go wash your girls' jeans and white belt.
Greg Ginn from Black Flag has a degree in Economics, Greg Graffin from Bad Religion has a Ph.D. and teaches at Cornell (I think), and Dan Yemin from Lifetime/Kid Dynamite/Paint it Black is a child psychologist. This isn't about a pissing contest between the brains of punks vs. indie kids. Actually I'm totally sidetracked now.
The truth is that I'm always going to be into punk rock. For me it's rock and roll stripped down to just writing good songs and playing what you feel in the most direct way possible. Music for me, regardless of how much I think about it individually, is not about thinking. It's about feeling, and connecting to a song based on gut reaction. Rock and roll is a dirty thing, it appeals to the visceral, not the cerebral. Punk rock, more than any subgenre, hits me in the gut, musically and lyrically. There is something about the sound of Bob Mould's guitar playing on "Chartered Trips" that manages to raise me from a negative state of mind, and the singing of Blake Schwarzenbach appeals to me BECAUSE it is imperfect, scratchy and ugly. More importantly, his voice is honest. He is not covering it up with a fake pretty voice or digitally processing it. I hear a vocal line and immediately know that it's Blake.
Lyrically, punk rock is about as direct as it gets. It's storytelling, it's gut-level poetry and there's no ambiguity about the content. This is important to me, because it shows that whoever writes those lyrics knows that life doesn't need to be dressed up in metaphors about floating in space.
Even when it comes to music I'm hearing for the firs time, I almost always find myself shaken by a good punk band than a good post-rock band or a good indie-pop band or a good indie-rock band. I'm always going to be open to hearing new, different music, but I can almost guarantee that punk rock, in any form, is going to be what I go back to. I was never the punk with the tall mohawk or green hair and I never will be, and that's not what's important. I define my life based on the true tenets of punk rock, and that is doing my thing how I see fit and being true to who I am and how I feel. When it comes to music I will not be declared less "punk" because I prefer Fugazi to Minor Threat (related bands) or Jawbreaker to Oxymoron. They can judge me for those beliefs, but I know that the truth is that by sticking to MY ideals as opposed to the ideals of some jackass in a Casualties t-shirt, I will forever be more of a punk than that person. As long as I am still moved to the core by four distorted chords and an honest, unaffected shout, I consider myself a punk rocker, and I have never attempted nor do I plan on forcing myself to listen to any other music to conform to any hipster trend that says that it's cool to put a Moog on a record or write a series of albums named after places and record an overblown symphony fit for overly educated college kids who shop at American Apparel.
A lot of the stuff in question I haven't listened to, and I don't care if I ever do or not. I've listened to the Postal Service, Death Cab for Cutie, Bright Eyes, Pavement, the Mars Volta, Rilo Kiley, lots of bands like that. Those bands are not the bands I turn to when I'm feeling down, those bands didn't get me through high school and college. I got through my times, good and bad, with bands like Jawbreaker, Husker Du, Hot Water Music, Face to Face and others. They're the bands I listened to years ago, they're the bands I listen to now, and they're the bands I WILL listen to. And there are bands I've recently discovered that are still vital, like the Gaslight Anthem, Against Me! (less recently discovered), Smoke Or Fire, the Lawrence Arms, Dillinger Four, the Loved Ones, Thorns of Life and a whole mess of others, and these bands make me feel the same way that Jawbreaker and Husker Du make me feel.
Call me unhip if you want, but I never said I was hip.
Anyway, this is a posting about my life, about music, about my life as a fan of punk rock music. It was inspired by two things. Number one was seeing a band play at the Red and the Black tonight, the other was watching the DVD of Instrument, the Fugazi documentary.
Seeing the show was a nice, unexpected event tonight. I was working and I sold some ice to a few dudes, one of which complimented my Social Distortion t-shirt. I decided to talk to them, and I saw a bunch of people moving music equipment into the bar a few doors down. Turns out the guys who bought my ice are a band from Boston called the Main Drag, and they were playing at the Red and the Black. They were cool and they put me on the guestlist for the show because they had no one to put on it. We talked about music and whatnot, and I told them I'd check out the show.
So, after my shift I went back to the house, showered and ate, and I went over to the show. They were really good, loud indie rock that actually managed to rock, which is a rarity in the genre these days. I talked to them after the show, all cool guys and whatnot and I came back here.
Then I watched the Fugazi DVD and it was just really inspiring that these four guys in Fugazi have managed to have a career spanning fifteen years, a great deal of influence, a fantastic ethic within their work, and more importantly, an incredible musical legacy.
My point is, I'm a musican and a music fan, and those two things will always define me more than where I am or what my job is or how I vote or my beliefs about religion or politics or anything. But I ask myself a lot of questions regarding my musical taste.
I've been a fan of punk music, I suppose, since I first heard the word and started hearing bands like Nirvana and Green Day. The years went by since those discoveries and I got into a little bit of everything, music-wise, and I started to discover the most important bands in punk rock, from the Clash's London Calling record to my recent days as a vinyl snob, listening to the New Day Rising LP by the great Husker Du. I've been listening to music like this since I was around 8 years old and I'm now 23.
I've noticed something about a lot of people who spent a great deal of time listening to punk rock. A lot of them start to move away from that style of music and start listening to indie rock or indie pop or post rock or something that just sounds pretentious and sounds like they're thinking way too hard about what they're doing. I'm friends with lots of people who were into punk rock but have moved on to Radiohead. And while most people here would say "Nothing against Radiohead but..." I'm going to go right ahead and say that I don't give half a flying shit about Thom Yorke or his crew of douchebags. That music bores me.
Having gone to a prestigious institution of higher learning filled with hyperintelligent people who listen to this seemingly hyperintelligent independent music I feel like I'm supposed to feel inferior for liking something as "base" or "simple" as punk rock, that the music is in some way the music of 16-year-old kids living in the suburbs and they can't possibly be mature or smart enough to understand the deeper meaning behind Sufjan Stevens' compositions. What, because I went to college I automatically have to start listening to some boring overthought crap? Or because I listen to punk rock I am not a thinking, intelligent person? Piss off, go wash your girls' jeans and white belt.
Greg Ginn from Black Flag has a degree in Economics, Greg Graffin from Bad Religion has a Ph.D. and teaches at Cornell (I think), and Dan Yemin from Lifetime/Kid Dynamite/Paint it Black is a child psychologist. This isn't about a pissing contest between the brains of punks vs. indie kids. Actually I'm totally sidetracked now.
The truth is that I'm always going to be into punk rock. For me it's rock and roll stripped down to just writing good songs and playing what you feel in the most direct way possible. Music for me, regardless of how much I think about it individually, is not about thinking. It's about feeling, and connecting to a song based on gut reaction. Rock and roll is a dirty thing, it appeals to the visceral, not the cerebral. Punk rock, more than any subgenre, hits me in the gut, musically and lyrically. There is something about the sound of Bob Mould's guitar playing on "Chartered Trips" that manages to raise me from a negative state of mind, and the singing of Blake Schwarzenbach appeals to me BECAUSE it is imperfect, scratchy and ugly. More importantly, his voice is honest. He is not covering it up with a fake pretty voice or digitally processing it. I hear a vocal line and immediately know that it's Blake.
Lyrically, punk rock is about as direct as it gets. It's storytelling, it's gut-level poetry and there's no ambiguity about the content. This is important to me, because it shows that whoever writes those lyrics knows that life doesn't need to be dressed up in metaphors about floating in space.
Even when it comes to music I'm hearing for the firs time, I almost always find myself shaken by a good punk band than a good post-rock band or a good indie-pop band or a good indie-rock band. I'm always going to be open to hearing new, different music, but I can almost guarantee that punk rock, in any form, is going to be what I go back to. I was never the punk with the tall mohawk or green hair and I never will be, and that's not what's important. I define my life based on the true tenets of punk rock, and that is doing my thing how I see fit and being true to who I am and how I feel. When it comes to music I will not be declared less "punk" because I prefer Fugazi to Minor Threat (related bands) or Jawbreaker to Oxymoron. They can judge me for those beliefs, but I know that the truth is that by sticking to MY ideals as opposed to the ideals of some jackass in a Casualties t-shirt, I will forever be more of a punk than that person. As long as I am still moved to the core by four distorted chords and an honest, unaffected shout, I consider myself a punk rocker, and I have never attempted nor do I plan on forcing myself to listen to any other music to conform to any hipster trend that says that it's cool to put a Moog on a record or write a series of albums named after places and record an overblown symphony fit for overly educated college kids who shop at American Apparel.
A lot of the stuff in question I haven't listened to, and I don't care if I ever do or not. I've listened to the Postal Service, Death Cab for Cutie, Bright Eyes, Pavement, the Mars Volta, Rilo Kiley, lots of bands like that. Those bands are not the bands I turn to when I'm feeling down, those bands didn't get me through high school and college. I got through my times, good and bad, with bands like Jawbreaker, Husker Du, Hot Water Music, Face to Face and others. They're the bands I listened to years ago, they're the bands I listen to now, and they're the bands I WILL listen to. And there are bands I've recently discovered that are still vital, like the Gaslight Anthem, Against Me! (less recently discovered), Smoke Or Fire, the Lawrence Arms, Dillinger Four, the Loved Ones, Thorns of Life and a whole mess of others, and these bands make me feel the same way that Jawbreaker and Husker Du make me feel.
Call me unhip if you want, but I never said I was hip.
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